![]() |
|
| Lives/Works: | Brooklyn, NY |
| Education: | |
2004 |
Empire State College, BA |
| Solo Exhibitions: | |
2006 |
Yoshiko Matsumoto Gallery, Amsterdam, Netherlands |
2005 |
5. Bremer Kunstfruhling, Bremen, Germany (curated by Boris Nieslony) |
2003 |
Künstler Haus Bremen, Bremen, Germany |
2003 |
Francine Seders Gallery, Seattle, WA |
2002 |
Tohu Bohu Gallery, Marseille, France |
1997 |
Lucia Douglas Gallery, Bellingham, WA |
1995 |
Natural Museum of History, Barcs, Hungary |
| Selected Group Exhibitions: | |
2006 |
Geoffrey Young Gallery, Great Barrington, NY |
2006 |
Morgan Lehman Gallery, New York, NY (curated by Geoffrey Young) |
2006 |
Work on Paper, Leubdsorf Art Gallery at Hunter College, New York, NY (curated by Laura Sue Phillips) |
2005 |
Geoffrey Young Gallery, Great Barrington, MA |
2004 |
The Neon Forest Is My Home, *sixtyseven, New York, NY |
2004 |
Sprawl, Chewy Hudson Clearing, New York, NY (curated by Emily Wei and Haan Chau) |
2003 |
Selections from the Flat Files, Pierogi Gallery, Brooklyn, NY |
2003 |
Confabulations, Leubdsorf Art Gallery at Hunter College, New York, NY (curated by Peter Dudek) |
2003
|
20 Artists from Brooklyn, The Project, Toronto, Canada (curated by Annie Heron) |
2003 |
American Sandwich, *sixtyseven, Brooklyn, NY (curated by Peter Dudek) |
2001 |
Sylvia Heisel, New York, NY (curated by Dara Meyers-Kingsley) |
2000 |
Monique Goldstrom Gallery, New York, NY |
| Residencies/Grants: | |
2004 |
Ateliers de la Ville, L’Union, France |
2003 |
Künstler Haus Bremen, Bremen, Germany |
2001 |
Astérides, Ateliers d'Artistes, Friche Belle-de-Mai, Marseille, France |
| Visting Artist Lectures: | |
| 2006 | Rochester Institute of Technology, Rochester, NY |
| 2005 | S.U.N.Y. Binghamton, Binghamton, NY |
| 2005 | Portland Institute of Art, Portland, ME |
| 2005 | School of Visual Arts, New York, NY |
| Bibliography: | |
| Bits and Picks, Michael Paulson, New York Arts Magazine, September/October 2005, Vol. 10 | |
| “The Neon Forest is My Home”, William Powhida, The Brooklyn Rail, March 2004, p. 15 | |
| “Sprawl”, Ken Johnson, The New York Times, January 23 2003, p. E31 | |
| “Künstlers Kochkünste”, Klaus Irler, Taz Bremen, August 20 2003 | |
| “Authentischer Gast aus N.Y.”, Links der Weser, August 13 2003 | |
| "Kultur vor Ort”, Peter Groth, Weserkurier, August 9 2003 | |
| “Bremen als Kunststandort Stärken”, Jörg Teichfischer, Bremer Anzeiger, August 9 2003 | |
| “Je Suis Fatigué”, Emily Hall, The Stranger, July 24 2003 | |
| “In the Galleries”, Regina Hackett, The Seattle Post-Intelligencer, July 3 2003 | |
| "Mute Objects Speak", Gary Michael Dault, Toronto Globe, p. R8, July 14 2001 | |
| "Liam Everett", New American Paintings, The Open Studio Press, Wellesley, vol.4, n.6, p.62-65, 2000 | |